Review: Postal - Engineering the Antagonist
Before Alabama was treated to the often political themed punk metal hybrid of The Crashing Falcon, there was Postal. Active from 1998 to 2004, the band was very much a proto version of TCF. Recorded over ten years ago, the album was never given a proper release due to incomplete vocals. Recently, however, TCF decided to throw it up on their Bandcamp as a "name your price" purchase, and it's well worth a download. Featuring members of other Huntsville AL acts such as Radiotron Barricade At Night, the release is a nice little time capsule of early 2000s metalcore and certainly better than many of the local releases this writer picked up from around the same time. Of the thirteen tracks, roughly half feature no vocals, which may be a strength of the release rather than a detriment. After a brief intro track, "Sober
Sunday"
gives you a good taste of what you're in for. The deathcore vocals
are mostly inaudible,
and one may say subpar,
but for a demo recording from that era, the music is surprisingly
strong. Next "The
Coffin Nail Choke"
picks things up with the type of familiar metalcore jam you may
fondly recall in abundance from the mid-2000s. Again the vocals may
be a bit lacking but the head banging and mosh worthy breakdowns
should give you a dose of nostalgia if you once frequented these
types of shows. Track four, which has a completely nonsense
title, serves as an intermission before the album begins with the
tracks that vocals were presumably never finished for. If you weren't
a fan of the rough vocals the album arguably improves as it moves
into the instrumental works. Starting with "You
Sank My Battleship"
you're
then treated to 5 tracks of quite retro thrashy metalcore/deathcore. If you were around when the genres were popular in the
state, the tracks make for quite the nostalgia trip and it seems safe
to say these guys are more talented musicians than
many of AL's metal bands from the era. The vocals return with "Murder
Weapon Can Opener"
but again they are fairly rough and incomprehensible. The release
ends
with "The
Hell in Venus"
which by far has the best vocal mix of the release. Here the vocals
rotate between metalcore growl and cleanish vocals at times with a
somewhat rap delivery. The track is of course quite heavy, though
with a bit of catchiness mixed in thanks in part to the improved
vocals. If every track were up to this standard the release would be
an even more noteworthy one.
3.5/5
A must for The Crashing Falcon fans as well as those in need of a throw
back to a bygone age of the State's
scene. -Kevin SpannPostal on Bandcamp
The Crashing Falcon on Bandcamp
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