Live Review: Swiss Army Brat

Live at Sidetracks

    Swiss Army Brat has been playing a TON of shows in and around the Huntsville area lately, and I can see why they keep so busy…. it’s because THEY FUCKIN' KICK ASS! The region is known for having bands that push the limits of power, of taste. Let’s just say Hville and their regularly visiting neighbors have a reputation. But what is often left out of that narrative are all the women that rock just as hard as, or even harder than the boys. S.A.B. is a prime example. Snotty, angry, funny, take-no-shit, LOUD. I first saw them playing GAD! Fest 2 at Sidetracks Music Hall late last year. They were the one band on the bill with which I was kinda unfamiliar, but Salina Brilla knows how to book a brilliant show. Who was I to question it? Glad I didn't, because Swiss Army Brat KILLED. Since then, my own band was asked to share a bill with them, and we jumped at the chance. And again they did not disappoint. In fact, I think they were even better than at GAD! Fest!! If they haven't hit the studio yet, they need to, like day before yesterday! Go see them before they implode from so much punk rock attitude. – Harmless





Comments

  1. UnknownMarch 12, 2018 at 12:55 PM

    They Have an album coming out within a month or so! Keep your eyes out for it! Here's one of the singles off of it! https://www.youtube.com/watch?v=nkyO8ADn-_0

    ReplyDelete
    Replies
    1. GAD! ZineMarch 12, 2018 at 6:39 PM

      Thank you! We look forward to listening to it!!

      Delete

Post a Comment

Popular posts from this blog

Nathan Baugh 1/15/83 - 12/24/15

Image
    Earlier this year, Guntersville, AL band The Devil's Got A Hold On Me played a show at the Glass Onion in Gadsden. I'd seen them play several times and was excited to see them tear up my local vinyl fix. Though the crowd was minimal (welcome to Gadsden!), the trio gave us their all. At least the cool people showed up. Per usual, Keith's guitar was loud and nasty and dirty and effortless. Brad killed on drums, pounding the beat with a sufficient prowess and an excess of violence. I've never heard anyone ask, "Where's the bass guitar?". The duo was, as always, tight and unhinged at the same time. And then there was Nathan...       Nate yelled into the microphone. He was always angry, hurt, determined. He mostly sang looking down. Or maybe inward. I never once saw the man sing to an audience. Never. He refused to face us beyond a passing glimpse. We were a corner into which he had backed. In reality, he was a nice guy who loved his family and frien
Read more

Chris Lee 6/29/80 - 7/23/16

Image
    Chris Lee has passed away. Unless you knew him, I don't know if I can stress just how significant he was. If you did know him, you're heartbroken like me and you don't need anyone to tell you. But I have to write this.     Chris was the most recent singer of the long-running Huntsville Alabama metal band Envain and even before that had done his share of kicking ass with other bands for years. He was a thoughtful, intelligent man who threw all boundaries away the second he took the stage or barroom floor. He embodied the D.I.Y. punk rock aesthetic. He would sport patches and even tattoos of his favorite local bands. He loved them. When the singer of The Devil's Got A Hold On Me, Nate Baugh, passed away, and the band made the hard decision to turn an already-booked show into a tribute, Chris didn't hesitate to step up and sing. He made no attempt to copy his fallen friend, he just did everything he could to entertain. Blood, sweat, and tears literally followe
Read more

We Care A Lot about Chuck Mosley

Image
  My musical endeavors, the GAD! Zine, and this blog can all be traced back to one inspiring cassette that I purchased when I was a kid: Faith No More's debut album, We Care A Lot. Early FNM introduced me to the sounds of punk, post-punk, metal, even a touch of rap that I could stand. The vocals were truly unique, with lyrics that could be abstract and enigmatic one moment and so utterly relateable and down-to-earth the next. The music that would accompany this new poetry was dark and menacing and catchy and unencumbered by any preconceived notions of a particular blueprint or specific style. This album completely opened my mind to not just a whole new world, but to an entire universe of creative possibilities. I've often said that if it weren't for punk rock, then I'd have been a lot more successful, but I would've killed myself. So, in a way, Faith No More saved my life.     Needless to say, I was absolutely thrilled when Kolbey and I were given the opportunit
Read more