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Book Review: Damnation by Alabama Sharp

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    Over the course of 35+ years, Alabama Sharp has led such legendary and infamous underground Alabama bands as The Knockabouts, Monster Dog, Monster God, and the Go-Go Killers, all the while quietly writing some of the sickest fiction ever imagined. Seriously, the reason why we’re just now reading this stuff is because no one was brave enough to publish any of it. In the true spirit of D.I.Y. (of which he was an early purveyor), Mr. Sharp finally said, “Fuck it!” and decided to publish the work himself. This means that Sharp doesn’t answer to anyone, which in turn means we get even sicker stuff than we would have gotten had somebody else published him.     The first half of the book is a collection of Sharp’s art. Simple crude pen and ink drawings of hyper-violent and over-sexed demonic debauchery. Readers of our print zine have likely bared witness to some of his work, which is downright quaint when compared to some of the demented smut found in these pages. L...

Review: Metayouth - Speech Balloons In June

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    This is what I loooove about the digital age: THE IMMEDIACY. Just last month, Metayouth released their debut self-titled full-length on Bandcamp, and now they're already back with an E.P.! Dakota Gilliland hasn't lost his chops when it comes to creating catchy poppy kinda emo-y punk rock. I should hope not; like I said, it's only been a month! But that's not to say that there hasn't been some growth. Everything seems more effortless (in the good way) this time around. The distorted overblown instrumentation is a potent tool for this artist and he's become more adept at it. I've always said that I've rarely heard a pop-punk band sound bad live, but that something is often lost in the translation to tape (or digital computer pixie dust or whatever). Metayouth agilely avoids this by (1) writing lyrics that are interesting regardless of the vessel, and (2) Co-opting the raw intensity of a rough demo while having the skill to build upon it and manipulat...

Review: Rapid Randy - Widow Maker

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    Rapid Randy Hughes (Nic-O-Teens/NcSeventeen/Model Citizen/Parasites/Backseat Virgins/too damn many more to name) is back after close to a five year hiatus. And his return is nothing less than an extraordinary experiment. Gentle, but brash by virtue of its very existence, Widow Maker is a delicate, personal, and strange return for the one-time (and hopefully once-again) prolific musician. For this 4-song EP, Randy has traded in his bass for an other-worldly autoharp and subtle electronics. Using these devices, and a little help from his equally creative family, a soft, spectral soundscape is crafted. A skilled pop and punk and pop-punk singer, his voice is now distant and low in the mix. Spoken poetry and observations. He shares his thoughts as spacey soundbites. A salesman of the soul. Melancholic. Cathartic. Magical. This is the fragile sound of a brilliant artist freed. I can't wait to hear what else he has in store for us. Glad to have you back, Rapid, hope you stick ar...

Review: Postal - Engineering the Antagonist

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    Before Alabama was treated to the often political themed punk metal hybrid of The Crashing Falcon, there was Postal. Active from 1998 to 2004, the band was very much a proto version of TCF. Recorded over ten years ago, the album was never given a proper release due to incomplete vocals. Recently, however, TCF decided to throw it up on their Bandcamp as a "name your price" purchase, and it's well worth a download. Featuring members of other Huntsville AL acts such as Radiotron Barricade At Night, the release is a nice little time capsule of early 2000s metalcore and certainly better than many of the local releases this writer picked up from around the same time. Of the thirteen tracks, roughly half feature no vocals, which may be a strength of the release rather than a detriment. After a brief intro track, " Sober Sunday " gives you a good taste of what you're in for. The deathcore vocals are mostly inaudible , and one may say subpar , but for a demo ...

Review: Owls And Other Animals

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    I'm kinda a sucker for lo-fi singer songwriter stuff. But I can't stand Dylan. And I'm not even normally a fan of acoustic guitar. (The dude who brings an unrequested acoustic guitar to a party is only marginally less a pile of scum than the dude who brings an harmonica. And at least that fits in your pocket, so you can pretend that you just happened to have it with you. The jerk with the guitar clearly has plans...) I do, however, find that I am drawn to music that is unusual, fragile, broken, noisy, and.... honest. In my book, basement tapes of a kid strumming his cheap hand-me-down while his voice cracks will always kick Eric Clapton off his lame-ass stool. Folk duos can be particularly treacherous, often little more than pretentious sleepy jammers feeding each other's most boring inclinations. But Owls And Other Animals are unique in that they seem to recognize the aural charms of budget recording, but have strong writing and performing chops, plus they seem t...

Review: The Moose - Earth Mover

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I don't like genres, or adjectives for that matter. But we have to use them to describe music, which often doesn't do the bands justice. The Moose are like that. Southern as fuck. A kind of fuzzed hard rock stew; thick, fat grooves that you can cook a pound of bacon in; and vocals that flow so soulfully and naturally that if you hadn't seen The Moose, you'd think it was created with studio gadgetry (it isn't). This is the kind of music that can only be created and done to this level of perfection in the South. You need to check this out. -Alabama Sharp The Moose on Spotify The Moose on Facebook

Review: Party Gator - Cover Singles 2017

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    Memphis, TN's Party Gator is an artist/band that I otherwise would have never heard of if it wasn't for a close friend posting about this release on social media. Listen, I rarely feel the urge to write a review, but holy wow this is sick! Fuzzy guitar, vocals that sound like they're recorded underwater through a vienna sausage can, and overall just a super fun selection of songs covered here. The production is also beautiful here. How can something so RAW be so CLEAN? They even cover Madonna here! You'll have to just go listen for yourself. It's up now under the "pay what you want" option. Favorites: Out on the Weekend (Neil Young) Girl U Want (DEVO) Would recommend to fans of: Ty Seagall, Deftones (White Pony era), Sludge Rock/Garage Rock fans -ON signing off Party Gator on Bandcamp Party Gator on Facebook